Well, I've finally decided to take the plunge and make the switch to
LiveJournal. Henceforth, you can read my various blatherings at the following new location:
(:::
Pauses a moment and waits for the Blogger Cops to come beat me with their nightsticks :::)
Okay, then.
I've actually had an LJ account for quite a while, but I've just been too busy or too lazy to make the switch. After much himming and hawing, I finally decided that I was tired of leading this double-blogging life; tired of the feelings of duality; of saying one thing while doing another. You know...feeling like a Republican. Eeww.
So, I throw the switch. Off to LJ I go!
I'll keep the Blogger archives for a while, at least until I decide what to do with them, and they'll be accessible from my website. You know, in the event somebody needs to know what mundane yammering I conducted in November 2004 or something.
See you on the other side.
Today marks the close of the tenth annual
Star Trek: Strange New Worlds writing contest sponsored by Pocket Books. Given my connection to the contest, it seemed like an appropriate time to pause and reflect on the very real impact it's had on my life these past several years.
For ten years, fans of
Star Trek with dreams of seeing their story printed in an honest-to-goodness book have been sending their short story manuscripts to Pocket, where veteran author and editor
Dean Wesley Smith has shouldered the enviable task of launching the careers of many new writers, including the bonehead whose blog you're now reading. In a few months, after all the submissions have been read and the cream of this year's crop judged, winners will be announced and a few more dreams will be realized. If not for Dean -- along with former Pocket editor John Ordover, the man responsible for creating the contest in the first place, and Paula M. Block, the goddess at CBS Licensing (what used to be called Viacom Licensing) who approved the concept and who remains one of the contest's most ardent supporters -- I'd probably still be just some guy with notions of writing that never quite get off the ground as I meander through my normal, rather uneventful life.
The contest brought its own rewards, of course. Nothing has quite matched the rush I felt that first night in the fall of 1997 when John and Dean hosted an AOL chat to announce the winners of the initial contest. I saw my name and story title scrolling by on my computer screen, and that soon was followed by a phone call from John. Nothing has quite equaled the thrill of the first time I entered a book store and saw a copy of the actual anthology, with my name in the table of contents. I'm sure if one were to review the security camera footage from that day, they'd catch an image of me smiling like a giddy fool as I carried that book to the cashier. Since then, I've continued to run the gamut of emotions from stunned to gratified to euphoric to humbled and even at times to overwhelmed.
That first contest opened several doors for me, through most of which I've charged at a mad sprint just in case somebody realized what they'd done and slammed them shut. I've done my level best to remember the good fortune that's come my way, endeavoring to never take for granted the opportunities I've been given or the trust and confidence shown to me by others with far more experience and wisdom. Of even greater importance to me are the friends I've made along the way: people I've met simply because they took the time to read something I'd written; fellow writers walking the same path I've traveled or who found their success through other means along with their own hard work and perseverance; veterans of the field who've mentored me or even just shook my hand and treated me as though I've been doing this as long and as well as they have; those who've come to me with the same dreams I once held, hoping for some small bit of helpful advice.
And all the while, I've kept an eye on the contest: waiting each year for the new collection of winners to be announced. I've watched as writers toil over their submissions and share them with writing group peers. I've talked about the contest at conventions and other writing-related events, answered all manner of questions on the topic wherever and whenever they're presented, and tried to point people in the right direction when they come looking to me -- of all people -- for assistance. Though I doubt anything I've said or done has helped someone make a sale to the anthology, I'd like to think I inspired at least a few people to just sit down, write a story, and send it in.
So, to those who entered this, the tenth
Strange New Worlds contest, I tip my hat and raise my glass in tribute. I wish each of you the best of luck. To all past contestants, regardless of whether you're an established writer or still in search of that elusive first sale, I'm honored to be in your company. It's been a hell of a ride.
Here's to ten more years.
EDITED TO ADD: I just read over on Dean's site that he's retiring from editing the contest after this tenth volume is completed. It's too early to tell if there will be another contest (pretty much the same question is raised and answered at some point after each one is put to bed, to be honest), but here's hoping. SNW is unique among the many media tie-in licensees floating around out there, giving fans and hopeful new writers an unparalleled opportunity to create stories featuring their favorite characters and settings. It'd be a shame to see it come to an end, but even if that happens there's no denying the effect it's had on me and many other people.
Regardless of what happens next: Thanks, Pocket Books.
Playing catchup here today.
Kevin and I spent Saturday at the first-ever
Free State Free Con in Lawrence, Kansas. It was a small yet well-attended show, put on by the same folks behind the ongoing series of
KC Fan Cons, with pretty decent foot traffic throughout the day.
We got to reacquaint ourselves with local comics creator
Mike Sullivan, whom we met at a Free Comic Book Day signing last year. I also got to meet
Chris Grine, creator of the
Chickenhare comic, as well as
Dennis Hopeless and
Kevin Mellon, a writer/artist team here in KC who along with Eduardo Herrera and colorist Alexey Strakhov have scored a gig with
Arcana Studio for their comic
Gearhead. I really dig the style of the book, so if you're a comics fan and my opinion means more than jack to ya, check these guys out.
On top of that, got to sign a few books and talk writing with lots of folks. All in all, a pretty good day. Many thanks to Craig Klotz and everyone responsible for putting on the con!
In unrelated news, the Bucs are on their bye week, which means that -- under normal circumstances -- they shouldn't be able to lose a game today. Of course, it's the Bucs, so you just never know....